The dimensions of mechanical drawings are best marked in red ink so that they will show plainly, and that the lines denoting the points at which the dimension is given shall not be confounded with the lines of the drawing.
The dimension figures should be as large as the drawing will conveniently admit; and should be marked at every point at which a shoulder or change of form or dimension occurs, except in the case of straight tapers which have their dimensions marked at each end of the taper.
In the case of a single piece standing by itself the dimension figures may be marked all standing one way, so as to be read without changing the position of the operator or requiring to turn the drawing around. This is done in Figure 115, which represents the drawing of a key. The figures are here placed outside the drawing in all cases where it can be done, which, in the case of a small drawing, leaves the same clearer.
In Figure 116 the dimensions are marked, running parallel to the dimension for which they are given, so that all measures of length stand lengthwise, and those of breadth across the drawing.
Figure 117 represents a key with a sharp-cornered step in it. Here the two dimensions forming the steps cannot both be coincident with it; hence they are marked as near to it as convenient, it being understood that they apply to the step, and not to one side of it. When the step has a round instead of a sharp corner, the radius of the arc of the corner may be marked, as shown in Figure 118.
Figure 119 represents a key drawn in perspective, so that all the dimensions may be marked on one view. Perspective sketches may be used for single pieces, as they denote the shape of the piece more clearly to the eye. On account of the skill required in their production, they are not, however, used in mechanical drawing, except as in the case of Patent-Office or similar drawings, where the form and construction rather than the dimension is the information sought to be conveyed.
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